Ostatnie prezentacje konferencyjne
prezenterka 2018, ” 'First and Foremost, we Need to Feel’: Women as Breakers of Silence at the Johannesburg Women 's Jail”, Honoring Ancestors in Africa: Arts and Actions, African Studies Program Symposium, Madison (kwiecień).
2017 Convener, Trouble Histories: Public Art and Prejudice Conference, Presenter, „’the walls are so silent’: spaces of clinement and gendered meanings of incarceration in South African commemorative art, „University of Johannesburg (listopad)
2017 Presenter,” Crafting a political hero: art and feminist intention in the work of Sandra Kriel, „17th Triennale Symposium on African Art, Ghana (sierpień) referat wygłoszony zaocznie
2017 Presenter and Discussant,” Information Fluency in the Disciplines Workshop in the Arts: History, Theory, and Criticism, „Association of College andResearch Libraries and the Council on Library and Information Resources Workshop, Nowy Orlean (kwiecień)
2015 zaproszony prelegent,” Apartheid and After: Gendered Images of South Africa 's Struggle,” Department of Art History, Fifth Annual Speaker Series on War/Art/Peace, University of St.Thomas, Minnesota (kwiecień). Link do plakatu (pdf).
: „Doing Feminist Activism and Research Digitally, „National Women’ s Studies Association Conference, San Juan Puerto Rico, (listopad)
2014″ the Pain of Seeing VS. The Anguish of Oblivion: Representing Suffering in South Africa 's public Sphere,” Walter Rodney African Studies Seminar Series, Boston University (kwiecień)
2014 „wizerunki traumy i „niewinnego oka”: Niektóre napięcia wokół upamiętnienia bólu i cierpienia z przeszłości apartheidu, „16th Triennial Symposium on African Art, Brooklyn (marzec)
2014″ The Museum, the Archive, and 'the Space Outside: Locating Women’ s Political Voice in South Africa 's Memorial Landscape,” digital Humanities Initiative Speaker & seria warsztatów na temat kobiet, feminizmu i humanistyki cyfrowej, Hamilton College (kwiecień). Link do plakatu (pdf)
2014 „miejsce, które kiedyś było piekłem, zostało zmienione w niebo”: „Protest, Pain, and Place: Locating South African Women 's Activism Against Apartheid”, Department of Women and Gender Studies, The College of New Jersey (marzec)
2012″ milczenia/naruszenia/interwencje: mapowanie krajobrazu kulturowego życia politycznego kobiet”, Department of Women 's, New Jersey (marzec)
2012″ milczenia / naruszenia / interwencje: mapowanie krajobrazu kulturowego życia politycznego kobiet „Gender and sexuality studies, the Ohio State University (luty)
2011″ Memory, mourning, and militancy: New Directions in Researching and Writing Women ’ s Lives,” Berkshire Conference on the History of Women, Amherst, (czerwiec)
2011 „Feminist(s) Approach(es): Feminism and the Shaping of African Art” 15th Triennial Symposium on African Art, UCLA, (marzec)
2010 „Transforming the Core: Integrating Transnational, Activist, and Food Feminisms to the Women’ s Studies Major,” Program Administration and Development Pre-Conference, National Women ’ s Studies Association Conference, Denver (listopad).
2010 ” Znikające Akty: The Visual Geographies of South African Women ’ s Activism Against Apartheid,” National Women ’ s Studies Association Conference, Denver (listopad)
2010 „Regarding Heroes: The Visual Geographies of South African Women 's Activism Against Apartheid” Remembering Africa and its Diasporas, Ottawa (październik)
2010 „Places of Protest, Places of Pain, and The Politics of upamiętnienie,” North Eastern Workshop on Southern Africa Burlington, Vermont (kwiecień)
2010 6425 >
2010 „śpiewanie, Szycie, Siedzenie: Upamiętnienie ról politycznych kobiet po Apartheidzie, „trzecie Biennale Sympozjum Wydziału Historii Sztuki, Savannah College of Art and Design, Savannah, Georgia (luty)
2009″ Teaching and Researching the Visual Culture of Women and War: Political Engagement in African Societies, ” American Association of Colleges and Universities Conference on Integrative Learning: Addressing the Complexities, Atlanta, GA (październik)
